Lynnalbert Leger

Artist’s Bio and Statement

As a youngster, Lynnalbert remembers doing many drawings of what he then called 'window views'. They were drawings of the view someone would see out of their windows. Years later, when he became an adult, he acquired a book from his father that spoke mainly of ancient classical architectural design. He became fascinated with these designs and drew them in his scrapbook. Then one day while driving throughout Maine, he stopped in Monson Maine where it became obvious that this area had an overwhelming amount of black slate. After becoming aware that this slate was easy to carve, as he tried writing his name on it with his knife, he became very intrigued with the possibilities. He then rushed to do research at his local library and found a book written by an author named Frank Eliscu where he described how to carve slate. Other than reading this book Lynnalbert considers himself as being self-taught. One of his most prized pieces is of a 3 x 3-foot carving of a city seal done for the city of Lewiston, Maine, where he resides. He was recently awarded by the city mayor for doing this carving. He currently is working on a collection of classical architectural designs as well as coastal type scenes and floral scenes for his city's annual 'Art Walk', shown throughout the summer months in the city of Lewiston. He hopes to adorn homes and businesses with carvings and etchings of ancient architectural designs and coastal and floral scenes as wall art to be enjoyed by all. Lynnalbert served as a Boatswain Mate Petty Officer, US Navy, 1969 - 1972.

Lynnalbert writes:

“My artistic journey revolves around the creation of bas relief slate carvings, slate line carvings, and slate engravings. I find immense inspiration in classical ornamental designs as well as the captivating beauty of coastal scenes, and floral scenes featuring lighthouses and boats and various floral designs. Through my artwork, I aim to capture the essence of these subjects and bring them to life in a unique and expressive way.

In my bas relief slate carvings, I strive to create a sense of depth and dimensionality. By delicately chiseling away layers of the slate, I reveal the underlying forms and bring them to the forefront. The interplay of light and shadow across the carved surfaces adds an additional layer of visual interest.

Through my slate carvings and engravings, I invite viewers to immerse themselves in the beauty of these subjects, to appreciate the intricate craftsmanship, and to connect with the emotions and stories embedded within each piece.”